The slam sections are held together by shambles of verse-riffs which also act as slam riffs with less emphasis. The breakdowns are meaty and full of catchy chugging, as well as the aforementioned GREAT drumming. Some parts remind of fellow Filipinos Down From The Wound (a favorite among Nick and I) especially in the beginning of the second track, which opens up with angular atonal riffing and casual drumblasting. The one fault here is that the production, while highlighting certain things very well, is pretty weak and not quite Abominable Putridity level, which can sometimes hurt the music. It's not much of a complaint though, as the songwriting side of things offers up surprises despite the formulaic style of slam death. If you're a fan of slam, it's going to be hard to dislike this, pretty much. It does many more things right than it does wrong.
The length is even just right; just over 30 minutes. To slam bands writing 20 minute albums with the same amount of tracks (eight), Human Mastication laughs at you with superior song structuring and a more drawn-out approach! It works very well, too, and the songs themselves never get tiring, nor does listening to the album ever become a "chore". Human Mastication have really got talent, poise and professionalism despite their incredibly "cult" status in slam apparently (more fans needed!). Now that Barrett at the helm of Sevared Records is bringing HM and DFTW + more Filipino slam sickness to the masses though, there should be NO reason not to listen to this stuff. You've been warned!
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